FERDINANDO
By Annibale Ruccello
Dir. Óscar Molina
The play takes place in Naples in 1870, around the fall of the Bourbons and
the rise of the Savoys. The Napolitan author creates here an extremely melodramatic
plot as well as overflowing passions, affairs, jalousies lived in the flesh
by the characters, intrigues, uncontroled desires and a large etc.,
(...) Ferdinando has a good overall interpretation (…) Santi
Pons and Montse Alcoverro have one of the best scenes of the play.
(...) Opening night was a success, which proves that as a (melodramatic) show
it works. G. Pérz de Olaguer EL PERIÓDICO 21
MELOSA FEL
By Lluís-Antón Baulenas
Dir. Manel Dueso
(...) Manel Dueso comes back to the stage bringing with him3 actresses: Xus
Estruch, Blanca Pámpols y Montserrat Alcoverro – soul and energy
of the play – to confront a soul-search dissectingthe world of two
women seemingly different…
Marta Monedero
AVUI DIUMENGE
(...) Both Baulenas, the author and the director, Manel Dueso, empathized
the persistence of the actress Montse Alcoverro, to get the play to be released...
G. Pérez de Olaguer
EL PERIÖDICO 28.04.00
(...) If there is a name Which is responsible for bringing Melosa Fel to
the stage, it is Montse Alcoverro’s. The actress who here interprets
the drug-addict put all her persistence in moving this project along.
Marta Monedero
AVUI 02.05.00
(...) Montse Alcoverro comfronts herself to a difficult character and shows
the occult strength which leads the two to salvation.
G. Pérez de Olaguer
EL PERIÓDICO 04.05.00
(...) (Xus Estruch) managed to give Antonia an inspired dimension, character
made to measure, always thanks to the vivid and expresive complicity of
Montse Alcoverro.
Francesc Massip
AVUI 12.05.00
(...) The direction of Manel Dueso is as respectful and intelligent as
the work of the three actresses Xus Estruch, Blanca Pámpols and
Montse Alcoverro is powerful.
Montse Alcoverro has the toughest of jobs, her character living like a
satelliteof which it is the beast and main metaphor of the play.
Pablo Ley
EL PAIS 13.05.00
EL MALENTÈS
By Albert Camus
Dir. Antonio Simón
(...) The impulse and tenacity of the actress Montse Alcoverro have been
decisive factors for the opening of this play...
G. Pérez de Olaguer
EL PERIÖDICO 10.02.00
(...) The interpretation has the virtue of being balanced, but to be fair
one must underline the authority and power of communication of the excellent
actress Rosa Cadafalch. And also the work of quality of Montse
Alcoverro in a difficult character which she bases on resentment and anguish. Both
efficiently help the scenic credibility...
G. Pérez de Olaguer
EL PERIÓDICO 20.02.00
(...) Everything, from the first moment is raised with extraordinary crispation,
which forbids nuancing and more interpretive flexibility. Montse
Alcoverro is the main victim of this option…
Frederic Roda
LA VANGUARDIA 22-02-00
...) Montse Alcoverro gives life to the most desolate character : the sister
turned murderer in order to see a dream come true. The actress exudes the roughness
of the character with a tense voice and draws the cancerouos spirit of resentment
with a relentless and cols speech, icy tone and a dress as black as her thoughts,
wrapped in her cigaret smoke…
Francesc Massip
AVUI 18-02-00
LA VENGANZA DE DON MENDO
By Pedro Muñoz Seca
Dir. Paco Mir – Tricicle
(...) In the interpretation, which has no cracks and is very efficient, one
can sense the handof Paco Mir. A pleasant surprise is Xavi Mira’s Don
Mendo, as well as Bea Guerara’s Magdalena, well supportedin all her scenes
by Montse Alcoverro.
G.Pérez de Olaguer
EL PERIÓDICO 19-03-99
PIGMALIÓ
By Bernard Shaw
Dir. Joan-Lluis Bozzo – Dagoll Dagom
(...) Lluis Marco, Francesca Piñon and Montse Alcoverro do find the
solution, and that according to their interventions, to their respective characters…
Gonzalo Pérez de Olaguer
EL PERIÖDICO 25-05-97
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